The strong female lead character propels the story for me
Guest Review by Judy George
I started reading “Escape from Saigon” on a Friday and couldn’t put it down until I finished it on Sunday.
As a woman who broke into the male-dominated business world during the Vietnam War, I felt the novel created the perfect archetype of the women’s liberation pioneers with female protagonist Lisette Vo. Lisette is the first female correspondent to become the face of a major US TV network in what became known as, “America’s television war.” She also happens to be a Vietnamese-American, who like many Americans came to Vietnam early on.
Judy George
She is the daughter of a prominent Washington D.C. family of Vietnamese and French heritage, who graduated from Georgetown University in the 60’s and flew to Saigon with no job, but a desire to get at the truth about a distant war that would define our generation. Lisette is smart, tough, knows Vietnamese politics inside-and-out and is accomplished. She also confronts her own struggles and vulnerability throughout the novel, and hints at the future of women in media and the advent of 24/7 cable news in the epilogue.
This story a must for anyone, especially millennials and twenty-somethings, who want to better understand their parents and grandparents and how the decision to “go to war” shapes the lives of ordinary people. While much of the tension is between Lisette, a rising TV talent, and her friend Sam Esposito of The Washington Legend, the novel gives the reader a feel for life in the French colonial city of Saigon, now Ho Chi Minh City. There is a French expatriate bar owner who runs the unofficial watering hole for the press corps, a just-married Vietnamese couple who work for the Americans and fears reprisals, and a GI who returns to rescue his Vietnamese family before enemy tanks roll into the city. There are also diplomats, CIA agents, spies, and countless Vietnamese seeking to escape the desperation of war and decades of misguided decisions by their political leaders.
While the action takes place during the final 30 days of the war, the authors weave historical references through flashbacks and recollections. I not only got a better sense for how it all ended on April 30 of 1975, but also for the decades that led up to a war that dragged on for a quarter of a century and ended with barely a whimper. This a superb novel in which the history is accurately recounted, but does not intrude on the compelling story.
I’m looking forward to reading more about Lisette Vo in the next novel.
Judy George founded Domain Home, a 35-store furniture retailing chain in the 1980s and is the author of “The Intuitive Businesswoman." She lectures on women’s empowerment and is featured on the cover of this summer’s Grand Magazine. Escape from Saigon is available on Amazon and at independent bookstores.
The Continental Palace Hotel figured into "Escape from Saigon." This classic hotel has been modernized but lacks the famous veranda where journalists and diplomats mingled during the War
My coauthor and I are often asked, "Where did the characters in "Escape from Saigon" come from?"
Pat answer. Aside from famous political and military leaders whose names remained unchanged in the novel, such as Ambassador Martin or South Vietnam President Thieu, the characters were created out of whole cloth. They are no more real than Saigon-based journalist Thomas Fowler or CIA operative Alden Pyle in Graham Greene’s Vietnam War novel, The Quiet American,
But the creative process is complicated. Some characters, though bearing no resemblance to actual people, were inspired by snippets of my experience in Vietnam over the years. So I thought it would help to pair a scene in Escape from Saigon, to one of those experiences to illustrate how real life can evolve into fiction.
The incident occurred when I returned to Vietnam years after the war had ended and visited the Cu Chi Tunnels; the subterranean labyrinth of passageways, offices, barracks, hospital, and conference rooms where the Viet Cong were hold up until they emerged during the 1968 Tet Offensive.
During the visit our group sat down in one of the tunnels’ conference rooms for a briefing by a former Viet Cong officer who had lived there during the War. He explained how they subsisted for years, mostly on a root similar to cassava. During the briefing he told us, “We used everything the Americans brought here. If a parachute fell to the ground, we used it for mosquito netting, if a bomb didn’t explode we turned it into a new weapon, we forged metal into everything from bayonets to cooking pots.” He went on, “When we camoflaged the tunnel entrances with leaves and undergrowth we added bits of fabric from American Army uniforms to throw the MP dogs off their scent.”
During the briefing, I realized that he spoke perfect English but with a distinct New Jersey accent. When I asked him about the accent he told me, “I learned English from Armed Forces Radio and TV. Like I said, we used everything the Americans brought here.”
Here is how I played out that real life dialogue in a verbal exchange between our hero, war correspondent Sam Esposito and his North Vietnamese source who called with a news tip for him and his friend Lisette Vo, of NBS-TV.
The Cu Chi Tunnel incident was recast in the novel as an argument over baseball.
From Escape from Saigon - a Novel
“Sam, we’ve done it. We did our job. It’s over. We can go home. You and me. Today. We put on our clothes, walk out the front door and catch a ride to
The Continental Palace Hotel
Tan Son Nhut. We’d be on a flight within the hour. It’s that simple. What do you say Sam? Let’s go home,” Lisette implored.
Sam caught himself smiling broadly over the thought of leaving without a moment’s hesitation, skipping the heartfelt goodbyes and vows to keep in touch. He wanted to be with Lisette. But then a thousand obstacles crowded his mind. He hadn’t been back to the world in ten years. Where would he, they live? Would The Washington Legend want him? But mostly he thought, would covering Washington politics or writing ponderous editorials bore him to death.
All the while he absentmindedly caressed Lisette, and when his eyes met meet hers, it brought him back to the present. He now wondered, am I ready for another go? But just then the phone rang. He fumbled for his glasses and put them on as he clumsily reached for the receiver.
“Hello?”
“Ha, ha, Ong Esposito! You and lady friend have good time?” came the voice on the line. “This your friend from the North.”
“Christ! Don’t you guys have anything better to do than follow reporters around? Who the hell is this?”
“You remember me? This is your news source I gave you a big story tip at the Cyclodrome a couple of weeks ago.”
That got Sam’s attention. “Lise, give me something to write with, quick!” She fumbled around until she located a ballpoint pen and hotel stationery pad and handed them to Sam.
“Yes, I remember you now. What—no more secret meetings? Now you call me? Brave North Vietnamese fellow talking to a decadent American?”
Fenway Park
“Your friend Captain Trung, he wants to say good-bye to you. He gives me instructions. Be at Tan Son Nhut before dusk. Hide outside the fence west of the runway. Take your TV friend with you and tell her to bring her camera. Trung promises to have a present for her, a special show for Walter Conkite, your American uncle you call him Uncle Walter!” Sam covered the mouthpiece and turned toward Lisette.
“Hey, Lise!” he whispered. “He’s got a news tip for you that he says will get you on the NBS Evening News, maybe then Cronkite will know who you are!” Sam then added incredulously, “How is it that these fuckers know so much about us and what we watch on TV, and we don’t know shit about them?”
To prove his point, Sam asked the caller, “Hey, asshole—who’s a better pitcher, Catfish Hunter or Bill ‘Spaceman’ Lee?”
“What?”
“Catfish Hunter or Bill Lee. Who is the better pitcher?”
“Of course, Catfish Hunter, he win Cy Young last year. But I still root for Red Sox!”
“How do you know this shit?”
“I listen to your American baseball on Armed Forces Radio and TV.
Learned English, too, from your guy who say ‘Goood Morning Vietnam,’ and DJ Chris Noel—she is one hot babe!” The caller hung up.
Excerpted from Escape from Saigon - a Novel, by Michael Morris and Dick Pirozzolo, Skyhorse Publishing, New York, 2017. All Rights Reserved. For more information about this Vietnam War Novel set during the final days of the War. please visit www.escapefromsaigon.com.
“In Saigon, we don’t ask many questions… where people came from, who they are or …were.” from Saigon Singer by Van Wyck Mason
Saigon, like Casablanca, Shanghai or Istanbul, is a city synonymous with intrigue, mystery, danger and romance.
Perhaps that is why so many novels, movies, theatrical productions and even comic books and graphic novels are set in Saigon—once known as the Pearl of the Orient and celebrated for its Parisian boulevards, French colonial villas, intimate piano bars and of course brothels. Most folks can tick off The Quiet American by Graham Greene, Good Morning Vietnam by Adrian Cronaur, The Lover by Marguerite Duras and the musical classic Miss Saigon. I would hope the Mike Morris - Dick Pirozzolo novel Escape from Saigon will one day rank with the classics.
Additionally, Apololypse Now, the 1979 Francis Ford Coppola Vietnam War allegory, opens with Martin Sheen as Captain Benjamin L. Willard, peering out at a bustling street scene from his seedy Saigon hotel room, as he waits for his mission — assassinate Col. Walter E. Kurtz who is burrowed deep inside the Cambodian jungle.
Good Morning, Vietnam
Though Escape from Saigon includes shades of my personal experiences and recollections from my life in Saigon as a press officer for the Air Force, I always felt a kindred spirit with Good Morning, Vietnam, the 1987 American militarycomedy-drama film, screenplay by Mitch Markowitz and directed by Barry Levinson based on the novel by Armed Forces Radio DJ Adrian Cronauer.
Recounts Wikipedia, “Set in Saigon in 1965, the film stars Robin Williams as a radio DJ on Armed Forces Radio Service, who proves hugely popular with the troops, but infuriates his superiors with what they call his ‘irreverent tendency.’” Cronauer insists he never took such liberties on air, and indeed much of Robin Williams antics are pure ad-lib. Cronauer also goes on to explain that he wrote the book to raise enough money to pay for law school, which he completed and later went into practice. He's told interviewers that potential clients get squeamish when they make the connection between him and Williams thinking he's too wild and crazy to be their attorney
There are plenty of less-well-known works set in Saigon, officially renamed Ho Chi Minh City in 1975, though locals, expatriates and insiders persist in calling their city Saigon. Here is a rundown based on summaries from promotional pieces, Wikipedia and International Movie Database IMDB.
Saigon
Among the classics is Saigon, the Alan Ladd, Veronica Lake noir film set in the French colonial port city. Ladd, as Army Air Corps pilot Larry Briggs, takes on a flying assignment for $10,000 to raise money needed to show his terminally ill friend a good time before he succumbs to his illness. But things go awry when, right before takeoff Susan Cleaver, payed by Veronica Lake, boards his plane. I started watching it, hoping for the perfection of Casablanca—close but not quite.
The Quiet American, Graham Greene’s 1955 antiwar novel about the French Indochina war and genesis of U.S. involvement in Vietnam, was first adapted for the silver screen in 1958. That film turned Greene’s antiwar message into a virtual pro-colonial—anti-communist propaganda film with a heroic CIA agent Alden Pyle, played by WW II hero Audie Murphy. Hollywood was still reeling from the era of blacklisting at the time and Greene was furious over having his novel turned on its head, says Wikipedia.
The 2002 remake was close Greene’s original novel. The film starred Michael Caine, as journalist Thomas Fowler and Brendan Fraser, as the mysterious Pyle, both of whom vie for the heart of the beautiful young Vietnamese woman Phoung, played by Do Thi Hai Yen. There is no shortage of deception, betrayal, and love gone horribly wrong in this film adaptation. Journalist Fowler, who is desperate for his paper to keep him in Saigon, where his character foreshadows the life of the Saigon-based journalists who populated the city during the war—around 400 accredited correspondents at any given time.
The Lover (L'amant)
Based on the autobiographical 1984 novel by Marguerite Duras, The Lover–original title L’amant, is the story of a fifteen and-a-half year old French girl played by Jane March and her older, wealthy and overpowering Chinese lover played by Tony Ka Fai Leung. Though her character is a minor, Jane March turned 18 during the filming thus avoiding legal issues over filming simulated sex with a minor.
Vietnam Historian Tim Doling in Tim Doling’s Heritage Portal has done a masterful job of collecting and posting photos of the locations French director Jean-Jacques Annaud used for the fim. Says Doling, the director went so far as to have a Cyprus-based ocean liner the Alexandre Duma brought to Saigon for key scenes.
Saigon Singer
“In Saigon,” the lovely English girl said, “we don’t ask many questions… where people came from, who they are or …were,” from Saigon Singer
This novel by Van Wyck Mason was first published in a hardbound edition in 1946, and I’ve managed to get a paperback copy on eBay, which I'm now reading. Mason was born into a diplomatic family in 1901. He traveled the world, became an ambulance driver during WWI, joined the French Army and later traded in rugs and antiques. Eventually college professor John Gallishaw, encouraged him to start writing and he found his calling. Mason, who died in 1978, wrote and published 78 novels during his life according to Wikipedia.
From the book jacket, “Saigon where the mysteries of the Orient are hidden beneath a veil of international sophistication…where criminals and traitors of a dozen nations are found and where Major Hugh North came to hunt a beautiful, deadly, unforgettable woman, the Black Chrysanthimum, traitor, spy and blackmailer!”
Escape from Saigon - by Mike Morris and Dick Pirozzolo
The reader is immediately pulled in by the heroes, secret agents, turncoats, romance and danger in Escape from Saigon, the fast-paced saga of bravery, intrigue and the human spirit that follows the lives of diplomats, journalists, CIA agents and Vietnamese refugees who are trapped in Saigon—their beloved city, about to fall to the advancing enemy army.
The action is set during April of 1975, the final 30 days of the Vietnam War as the city's inhabitants look for any way to escape. Among them are Matt Moran, a soldier searching for his Vietnamese wife's terrified relatives; Lisette Vo a Vietnamese-American TV reporter who risks her life to chronicle the events of that fateful time; an American businessman who adopts 300 of his employees in a bid to sneak them out. All this while the enemy army tightens its stranglehold on the city in a novel that reveals the plight of ordinary people swept up by the mistakes and folly of their leaders on all sides of the fight.
Escape from Saigon is ideal for anyone who plans to visit Saigon, now Ho Chi Minh City, and wants to know how the city evolved from a French colonial oasis to a popular travel destination.
Casey Sherman, The New York Times Bestselling Author of The Finest Hours called the book "... a sweeping saga that places you dead center in the tumultuous final days of the war in Vietnam. Authors Mike Morris and Dick Pirozzolo carry on the tradition of Michener and Clavell in that they make history come alive through rich, compelling characters in a pulsating narrative."
And, Winston Groom, author of Forrest Gump notes: "Escape From Saigon brings to life the war-torn lives of the men and women, soldiers and civilians alike, each trying to escape the fall of Saigon before it engulfs them all. A vivid, unvarnished vision."
Escape from Saigon by Andrea Warren
Also under the same banner of Escape from Saigon, comes Andrea Warren’s young adult novel. Her Escape from Saigon tells the story of the over a million South Vietnamese children were orphaned by the Vietnam War. This true account tells the story of Long, who, like more than 40,000 other orphans, is Amerasian—a mixed-race child—with little future in Vietnam. Escape from Saigon allows readers to experience Long's struggle to survive in war-torn Vietnam, his dramatic escape to America as part of "Operation Babylift" during the last chaotic days before the fall of Saigon, and his life in the United States as "Matt," part of a loving Ohio family. Finally, as a young doctor, he journeys back to Vietnam, ready to reconcile his Vietnamese past with his American present according to the author. Available on Amazon.
Graphic Novels
With the city falling, government employees and military personnel raced to escape by foot, by car, by boat — and, in the case of pilots like Ba Van Nguyen, by helicopter.
The story of Ba’s escape with his family is told at the end of Rory Kennedy’s Oscar-nominated documentary “Last Days in Vietnam,” which PBS produced as part of its American Experience series. Recently, WGBH, the PBS member station in Boston, commissioned the artist Eoin Coveney to retell Ba’s tale in graphic form, which is beautifully reproduced in full color by The New York Times
Marcelino Truong's first book about the early years of the Vietnam war, the graphic memoir Such a Lovely Little War was published in 2016 and named "one the best graphic novels" of the season by The New York Times. In the sequel, Saigon Calling, young Marcelino and his family move from Saigon to London in order to escape the war following the assassination of South Vietnamese President Diem, for whom Marcelino's diplomat father was a personal interpreter.
Says the promotional copy, “With its audacious imagery and heart-rending text, Saigon Calling is a bold graphic memoir that strikes a remarkable balance between the intimate chronicle of a family undone by mental illness, and the large-scale tragedy of a country undone by war.
Marcelino Truong is an illustrator, painter, and author. He earned degrees in law at the Paris Institute of Political Studies and English literature at the Sorbonne.
Comic art interpretations of Vietnam abound in the Marvel Database. Here is Tan Son Nhat Air Base, Cartoon art style
The ‘Nam Vol 1 1 we meet Private First Class Edward Marks
Private First Class Edward Marks landed at Tan Son Nhut International Airport when he arrived in Vietnam. In late October, 1996, he returned to the airport with his squad to defend it from enemy attacks. In February, 1967, he finally departed from the air base to return home.
From the Marvel Database: In this issue we follow Ed Marks through his rude awakening of basic training. He then is posted to the 4/23 Mechanized Infantry .
After a misunderstanding over a bribe with the Top Sgt. he is assigned to platoon of Sgt. Polkow and his band of misfits. There he befriends Mike Albergo prior to venturing out on his first patrol where the guys get ambushed by the Viet Cong in a local village. After the shooting dies down Ed vomits after seeing his first dead body.
As they walk back to base, they accompany an armoured column which falls victim to a booby trap. They are then attacked by a sniper from a hidden bunker, which is part of a wider tunnel system. They clear them out with grenades and request helicopter transportation back to base. Ed finds this difficult as he has issues with flying. On their return the guys go to watch a movie, Major Dundee, while the rest of the base comes under rocket attack. Ed panics but Mike reassures him that the VC will not hit the movie screen because they like to watch too, according to the publisher
From ComiXology Commando #5035: Escape Saigon! In the final bloody hours of the Vietnam War, the P.A.V.N. were at the gates of Saigon. The U.S. embassy was the last refuge for the South Vietnamese who worked for the American government. But as the final choppers ferried the last of the workers to safety, Bill Evans realized that his best friend, Van Thieu, would not make it to the facility in time to evacuate - meaning certain death…
By DICK PIROZZOLO with credit to Wikipedia, IMDB, Marvel and publicity material provided by the works covered here.
Clay Risen, Deputy Opinion Editor of The New York Times recently profiled Dick Pirozzolo and Michael Morris authors of "Escape from Saigon - a Novel" for an article on the medical consequences of spraying the defoliant Agent Orange throughout Vietnam, Laos and Cambodia.
Risen asked Pirozzolo and Morris about their encounter with Agent Orange when they served in Vietnam, its effect on their health and their struggles with the Veterans Administration over benefits in connection with exposure since that time.
The article, titled Agent Orange and Us is part of The Times year-long Vietnam '67 series. In this piece Risen points out that the VA is now considering whether to link four more illnesses to Agent Orange exposure as well as whether to extend benefits to Navy and Marine personnel who served offshore. The four ailments are bladder cancer, Graves' disease, Parkinson's disease-like symptoms and hypertension, all of which are more prevalent in Vietnam veterans than those of the same age who did not serve in Vietnam.
Some veterans who served stateside and flew in airplanes such as the C-123 that transported or sprayed Agent Orange may also qualify for benefits. Agent Orange is commonly used to describe a host of defoliants used during the war.
"If you have relatives or friends whom you believe might qualify, please let them know about these possible changes. Every town or county in America has a VA agent or the Disabled American Veterans (DAV) can provide details," urges Pirozzolo.
Risen points out: "During the Vietnam War, the United States sprayed some 20 million gallons of the defoliant known as Agent Orange over South Vietnam, Cambodia and Laos. Nearly four million people were exposed to the chemical, which the government claimed was non-toxic.
"The government was wrong: Fifty years later, approximately one million people in Asia and the United States suffer from a range of disorders, including multiple forms of cancer, that have been linked to Agent Orange exposure.
Massachusetts Author Laura Harrington Wins Praise for Her Novel on the
Environmental Impact of Vietnam and the Heartbreak of Coming Home
Right on the heels of The New York Times article on the perils of Agent Orange exposure and how it affected the authors of "Escape from Saigon," a new novel on war and its environmental consequences comes to light.
"A Catalogue of Birds," by Gloucester, Massachusetts author Laura Harrington, tells the story of a family recovering from the aftermath of the Vietnam War and the mysterious disappearance of a young woman, while also exploring the environmental destruction that accompanies war.
When Billy Flynn returns from the war, the lone survivor of a helicopter crash, he struggles to regain the life he once had. His sister, Nell, and their family do all they can to save him.
Harrington's new novel has received early praise from Kirkus Reviews, Publishers Weekly, and The Week as one of the 28 books to read this year. Rachel Kadish, an award-winning author, wrote: “Laura Harrington weaves American history and natural history into a riveting story of damage and resilience. Harrington’s voice is as clear and distinctive as a bird call.”
Harrington, a 25-year resident of Gloucester, has written extensively for theater, including plays, operas, musicals, radio plays, screenplays, television scripts, and lyrics. In 2011, she published her first novel, "Alice Bliss," which received widespread praise, winning the Massachusetts Book Award Winner for Fiction and becoming a Boston Globe bestseller.
Harrington's family is no stranger to war and service. The author, whose father served in World War II, remembers well the era of the Vietnam War and the conversations that took place around the family dinner table.
Says the author: At the heart of the novel is the relationship between siblings Nell and Billy Flynn. Nell excels academically and is headed to college and a career in science. Billy, a passionate artist, enlists as a pilot to fulfill his lifelong dream of flying. He returns home so seriously wounded he may never use his right hand again. As Billy struggles to regain the life he once had, Nell and their family will have to do all that’s possible to save him.
Harrington is the 2008 Kleban Award Winner for most promising librettist in American Musical Theatre. Harrington has twice won both the Massachusetts Cultural Council Award and the Clauder Competition for best new play in New England.
For the complete review and Laura Harrington's upcoming speaking events and books signings visit The Gloucester Times.
An American Journalist: "Vietnam is growing steadily every day."
By
Nguyen Lan Anh
VietnamNet.Vn
Vietnam Net, Vietnam's largest online newspaper, published an interview with the authors of "Escape from Saigon - a Novel" by Michael Morris and Dick Pirozzolo on the 42nd anniversary of the end of the Vietnam War.
Their debut novel, published by Skyhorse Publishing, New York is set during the last days of what in Vietnam is known as The American War.
The authors hope this reporter feels that we accurately portrayed Saigon as a sophisticated vibrant city and its people as genuine human beings with complex feelings and relationships—be they Vietnamese civilians, military people on both sides of the conflict or the journalists and other foreign nationals from America, France, Australia and other countries for whom Vietnam became home.
Having returned to Vietnam many times since the war ended, journalist and US Air Force veteran Dick Pirozzolo chose trade, culture and tourism to establish a link between Vietnam and the United States. In so doing he has written articles and editorials on the story of reconciliation between two former foes. Michael Morris was in Vietnam in 1967-1968 as a US Army infantry soldier. Together these two Americans coauthored “Escape from Saigon – a Novel,” published this year by Skyhorse Publishing, New York, USA.
Vietnam Net: Congratulations, you have launched the book "Escape from Saigon - a Novel” in 2017, what can you tell us about this book?
Mr. Dick Pirozzolo: Putting aside the past is a theme running throughout the book whose characters often come in conflict with their ideologies as they try to move forward. Even though "Escape from Saigon" is fiction it hews closely to historical events as it recounts the lives of both ordinary people as well as officials who are trapped in a city once called The Paris of the East.
The Continental Palace Hotel figures into "Escape from Saigon." While this classic hotel has been upgraded and retains its charm, it lacks the famous veranda where journalists and diplomats mingled during the war.
Some of these fictional characters include Lisette Vo, NBS-TV's first Vietnamese-American reporter who chronicled the fateful events of April 1975, Sam Esposito of The Washington Legend who writes about America's involvement and doing so angers US President Richard Nixon, an American businessman desperate to help his employees flee; Jean Paul Pelleran, a French pub owner, who wishes to remain in South Vietnam and continue running his piano bar, and US Ambassador Graham Martin who becomes despondent and disillusioned over the April 1975 events.
Mr. Michael Morris: We concentrated on what happened during the last month when the Vietnam War ended on April 30. While the action occurs at that moment in time, reminiscences at Jean Paul’s bar and old newspaper stories are filled with historical events such as the partition of Vietnam that prompted Jean Paul to leave Hanoi for Saigon in the mid-1950s, or Sam Esposito who, before arriving in Vietnam in 1963, meets his old high school friend Billy Freda for beers at Mory’s in New Haven right after Billy returned from a year in Vietnam.
The Vietnam War was a major event in the lives of an entire generation of Americans who witnessed the war firsthand and had to deal with its aftermath. In our case, when we returned to the US we became professionals – I became a journalist in New York, and Dick became a journalist and media consultant in Boston. Even though the War ended 42 year ago, it is a permanent part of who we are.
Vietnam Net: As far as I know, a lot of American veterans have been writing about the war and the events of April 1975. What makes your book different, special?
The former US Embassy in Saigon remained vacant for over two decades before being razed to make room for new development in Ho Chi Minh City
Mr. Dick Pirozzolo: We have gotten a lot of praise for creating a unique work of fiction for example Winston Groom, author of "Forrest Gump," said, "Escape from Saigon offers a vivid unvarnished vision of the war-torn lives of people trapped in the capital.”
Casey Sherman, author of The New York Times Bestseller "The Finest Hours" and "Boston Strong" called, "Escape from Saigon … a sweeping saga in the tradition of Michener and Clavell.”
Llewellyn King, producer and co-host of PBS-TV's "White House Chronicle,” added, "Escape from Saigon is exceptional in its authenticity, with descriptions of Saigon that are in the tradition of American author Graham Greene's TheQuiet American. "
Vietnam Net: You both recently returned to Vietnam with a Boston Global Forum Delegation of journalists and scholars. How did returning to Vietnam make you feel?
Mr. Michael Morris: For me personally, it was a meaningful trip. I did not know what to expect and did not know what my feelings would be. I could not even imagine seeing all that was new since I served in the country in the 1960s. And, finally I felt very satisfied. Like many American soldiers returning to Vietnam, I came here with an eye toward the future and was very happy to see the Vietnamese wholeheartedly welcome us. They are kind, treated me very well, invited me home for dinner. I was very much pleased with the experience.
Mr. Dick Pirozzolo: I have returned to Vietnam many times striving to cement relations between Vietnam and the United States. As part of my work, I became the media representative for Mr. Le Van Bang, Vietnam's first ambassador to the UN and later to the United States. Additionally, I’ve written articles and editorials on United States-Vietnam relationships and how they benefit both peoples.
Children peer into a US tank turret at a war museum in Saigon
During one of my trips to Vietnam I visited the Cu Chi tunnels outside of Saigon. One of the guides spoke in a very distinct American accent, that of New Jersey. When I asked him about it, he explained, “During the war, we took everything the Americans brought here including English which I got from listening to the US Armed Forces Radio and TV.”
A fictionalized version of that tour guide appears in "Escape from Saigon,” arguing with one of the American characters over who in 1975 was the best pitcher in American baseball.
Vietnam Net: “Although we should not be not allowed to forget history we must live for the future.” What do you think of the message?
Mr. Dick Pirozzolo: The war ended 42 years ago, and I am confident that we are on track to further tighten relationships between the US and Vietnam. Those who are 30 years old or younger, know Vietnam only as a developing country, not a war and, overall, two-thirds of Americans were born after the war ended on April 30, 1975. This is similar to the Vietnam where 60 percent of the population was born after that historic milestone.
Since the 1990s, Americans have seen Vietnam as a market to promote brands and as a travel destination. According to government statistics, 400,000 people in the United States and 100,000 people in Canada are expected to travel to Vietnam this year.
Vietnam Net: Did you know that President Donald Trump has announced his visit
Ho Chi Minh City's iconic hotel
to Vietnam in November to attend the Asia Pacific Economic Cooperation Summit.
Mr. Dick Pirozzolo: That is a positive step. I had the opportunity to work with many Vietnamese leaders during the 1990s. At that stage, Vietnam was working to reconcile and begin trade relations with the United States as a Most Favored Nation. I believe we will continue to develop in a positive direction. More and more Americans choose to buy Vietnamese products such as clothes, rice and coffee in large quantities. Moreover, the cultural and academic relations between the two countries are rich and multi-dimensional.
There is no debate, now is an important moment for Vietnam to become a closer partner with the US, playing a greater role in the maintenance of peace and stability in the region and the balance of power in the Pacific
Mr. Michael Morris: Economic relations are a very important bridge in international relations. I know American companies are increasingly looking to Vietnam to do business, and in so doing will help to boost your economy.
More people from our generation, veterans have brought their children and loved ones to witness Vietnam with their own eyes—a country that has a significant place in American history.
“Escape from Saigon – a Novel” is available on Amazon.com.
Trendy shops and cafés are emerging in Ho Chi Minh City
The Rev. Sarah Robbins-Cole, Pastor of St. Michaels Episcopal Church in Holliston, Mass. and Protestant Chaplain of Wellesley College
Earlier last week, I was chatting with Sarah—my friend and neighbor—who is otherwise known as The Rev. Sarah Robbins Cole. She told me she was working on her sermon for Easter Sunday the theme was letting go. I suppose the idea is there cannot be rebirth without letting go of those things that tie us to the past.
"Any thoughts?" she inquired.
An apt subject as April 30th approaches— the 42nd anniversary of the end of the Vietnam! This was also a chance to plug "Escape from Saigon - a Novel," so I mentioned how "letting go" is a theme running throughout the story. The struggle with letting go is voiced by Billy Freda, the high school friend, who has to let go of the moment he scored the winning point in the championship game, US Ambassador Graham Martin who cannot let go of South Vietnam that had become intertwined with his identity, the reporters who devoted their youth to covering the war and have to find a new life elsewhere, and of course, the two Vietnam veterans who wrote the book—myself and Michael Morris, who saw combat in the Vietnam War as a young soldier in 1967.
Here is what The Rev. Sarah Robbins-Cole, Rector of St. Michael's Episcopal Church in Holliston, Massachusetts told her congregation about letting go on Easter Sunday Morning 2017.
Easter 2017
Marie Kondo of the book The Life Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing is perhaps one of the best known books that has come our way from the field of decluttering and home organization. If you have not read the book, the basic premise of the book is to get rid of things that do not spark joy. Marie Kondo recommends taking out every item you own, in a particular sequence, and touching each item, and if it does not spark joy – out it goes. She has other helpful hints such as not buying more specialized storage containers to hold yet more clutter, and folding your clothes, for example your shirts, in a way that finding a shirt is as easy as flicking through record albums – because they all are standing on end.
The desire to hold on and to accumulate is as old as time and man. Perhaps it’s because we falsely equate accumulation with security. If I just hang on to clothes, household items, food, photos, books, I will never be in want. Who knows? I might need one of these things later.
Or we mistakenly believe that if we throw things away or recycle them – somehow we won’t remember or value what that item represented.
Or sometimes what is harder is we hold on to emotions and memories - something that has hurt us deeply. Maybe you are holding onto a grudge, or an imaginary contract with someone (that is, unless they do x, I will not forgive, move on, or be nice, etc.,). And somehow letting go would be to admit defeat.
When people have asked me this week what I am preaching on this week – and I tell them that I am working on a sermon about letting go – it has been interesting to hear people’s response.
When I told my neighbor Dick Pirozzolo, who has just published the book, Escape from Saigon - a Novel this year, he said, “funny you should say that”. He is himself a Vietnam Vet, but he said in his research and during his book tour, while he has encountered many veterans who live full and rich lives, he also said that he has met a fair number of veterans who live and breathe their days in Vietnam every day—even though the end of this month will mark the 42nd anniversary of the ending of that war. “After all,” Dick commented, “you are 19 years old, your friends are all back home working in a shoe store, and you are in a strange country, surrounded by people speaking a foreign language, and you are getting shot at.”
But he said, the problem is that what happens to some of us is that we get stuck at 19. Our entire identity is formed around being a Vietnam Veteran and that does not allow a new identity to form. Our lives are dedicated to remembering that time – from the stories we share to the social media platforms we belong to and contribute to.
Another friend of mine, who works with students, said to me, “that is such an important message” because she finds that some of her students cling to ideas, ideologies, and identities in ways that are unhealthy because they perpetuate their sense of being powerless victims in a hostile world.
Or another friend talked about a woman she knew who was the team mom of a volleyball team – and she did everything – she organized uniforms, social events, coaches gifts, the booster club – but at the end of her son’s junior year, at the end of season party, when he was not elected captain by his peers for the following year, she was absolutely devastated. She refused to talk to anyone for the rest of the party and her son never played volleyball again – so attached was she to the idea of her son being captain.
I am sure we all have examples from our own lives - elderly parents who cling to the idea of unrealistic independence, or children who can’t seem to quite realize they have actually reached adulthood, a parent who cannot let go of their adult children, etc., etc.
The subject of letting go is not just a superficial self-help issue. They are deep spiritual concerns – which come to the very heart of our gospel lesson for this morning. Jesus tells Mary – do not hold on to me. Literally – do not cling to me as I am now. I am yet to ascend to the Father. Jesus is telling her that she must not cling to him because his time on earth is done. And why that is important is that first of all, after the crucifixion they can’t just go back to the way things were – and secondly, the ascension is necessary so that the work of Jesus will no longer be constrained to his little corner of Israel – but will spread to the four corners of the earth.
And it’s not just the idea of the physically present Jesus she is going to have to let go of. If she wants to share in that resurrected life of new life and rebirth – she is going to have to let go of everything that is holding her back – she may have to let go of her anger at the Romans for crucifying Jesus, she may have to have to let go of her feelings of resentment at the disciples for handing Jesus over, betraying Jesus, and falling asleep while Jesus was praying when he very clearly asked them to stay awake. She may have to let go of her bitterness toward a world that allows an innocent man to die. She may have to let go of her wrath toward her own people for their maleficent fickleness – who on Palm Sunday lauded Jesus as King – and then jeered Jesus just a few days later when he really needed them.
But let me be clear - there is a big difference between letting go and forgetting. Letting go – means having a willingness to move forward, to not be stuck in the muck and mire of past wrongs. Forgetting is pretty near impossible, and forgiving can be a very long process indeed.
What we celebrate today is the resurrection. We celebrate that when one thing ends – and when we let go and give it to God, and trust that God will do something good and meaningful and life-giving to that of which we let go – we too will live the resurrected life.
God invites us to new life each and every moment of our lives – not to cling to the past – but to be engaged in our lives right here and right now. It is just as Joseph Campbell, the preeminent expert in comparative mythology and religion who wrote: We must be willing to let go of the life we have planned, so as to accept the life that is waiting for us.
Along with being coauthor of "Escape from Saigon - a Novel" set during the final days of America's "first television war," Dick Pirozzolo is managing director of Pirozzolo Company Public Relations, an international communication firm based in Boston, Massachusetts.
Planning to see the new and edgier production of Miss Saigon when it returns to Broadway after its New York debut 25 years ago? Then consider reading "Escape from Saigon - a Novel" and other currently popular books for historical context before you go.
"While all the action in Escape from Saigon takes place during April, 1975—the final 30 days of the Vietnam War—the novel relies on flashbacks, old news accounts and barroom ramblings to put the events portrayed in Miss Saigon into historical and political context. This makes the novel an excellent read for anyone planning to see the show opening on at The Broadway on March 23—especially younger people who know the Vietnam War only through history classes and stories of their parents and grandparents," says Dick Pirozzolo.
Through the novel's principal characters—NBS-TV's Lisette Vo, the network's first Vietnamese American war correspondent, and Sam Esposito the hard-hitting journalist with The Washington Legend, who infuriated President Richard Nixon with his reporting, the reader learns of the political bungling, missteps and post World War II decisions that led to a war that cost the lives of 50,000 Americana and millions of Vietnamese on both sides of a once divided Southeast Asian nation.
When Miss Saigon returned to the London stage in 2014, Serena Davies writing for The Telegraph, quotedproducer Cameron Mackintosh as saying that inconclusive wars in Afghanistan and Iraq will give viewers a new empathy with Miss Saigon’s depiction of Vietnam as a conflict in which everyone was a victim.
"History has almost caught up with Miss Saigon," he says. "When the show opened it was only 14 or 15 years after the Vietnam War had finished. But now that kind of war and the tragedies that spill out of that kind of conflict… nearly every country in the world has been involved: Afghanistan, Syria, Iraq. We are seeing things develop in Ukraine as we speak. I know I’m biased but when I walk into rehearsals I think, “This musical could have been written this morning, not 25 years ago.”Continue Reading
The Sympathizer
"They call them bui doi, the dust of life" is a poignant aria in Miss Saigon that recalls an America of 1975 that rescued and welcomed mixed-race children who would otherwise have been outcasts in their homeland—a stark contrast to today's governmentrefugee ban that rejects the most vulnerable victims of war.
To understand the life of a young Vietnamese War refugee who was living in Orange County, California, look to Viet Nguyen’s 2016 Pulitzer Prize winning novel, “The Sympathizer,” that examines conflicted foreign allegiances and an America-centric view of foreign conflicts. The “Sympathizer” is an allegory for today’s hyper nationalism and fear of theother. Nguyen’s companion book of 2015, “The Refugees” shines a light on the subtle complexities and conflicts of leaving ones native country for a new home in America.
In addition, Lana Noone’s new play, “Children of the April Rain” about Operation Babylift, the ill-fated first flight of mixed heritage children during the last days of the Vietnam War is opening around the country. Rory Kennedy’s film "Last Days in Vietnam" and Ken Burns latest PBS-TV documentary "The Vietnam War" add to the contemporary offerings on the subject.
When I first saw Miss Saigon, I went with agroup of eight Vietnamese. All men. None of us left with a dry eye. Going back, and knowing the decisions and misunderstandings that contributed to the tragedy of Vietnam, might just prevent future generations from making the same mistakes.
“Escape from Saigon - a Novel” by Michael Morris and Dick Pirozzolo was published in January of 2017 by Skyhorse Publishing, New York, NY, 264 pages and lists at $24.95. Further information and an excerpt are available at: www.escsapefromsaigon.com
Americans—many of whom know the Vietnam War only through stories told by their parents and grandparents—are looking back at that painful conflict to understand our contemporary foreign entanglements, veterans issues, the media, and especially the refugee ban as a painful shift in how our nation now treats the most vulnerable victims of war.
The wave of interest in a 40-year-old war that divided our nation and defined a generation accounts for the popularity of current literary offerings on Vietnam—among them “The Sympathizer,” “Tribe,” and the just published, “Escape from Saigon - a Novel." In addition these and other books, there has been a recent spate of films, TV documentaries and theatrical productions over the past year that shed light on a war that ended abruptly on April 30, 1975.
Vietnam War refugee Viet Nguyen’s 2016 Pulitzer Prize winning novel, “The Sympathizer,” shines a harsh light on conflicted foreign allegiances and an America-centric view of foreign conflicts. The “Sympathizer”stands up as an allegory for today’s new hyper nationalism and fear of the other. Nguyen’s companion book of 2015, “The Refugees”further examines the subtle complexities and conflicts of leaving ones native country for a new home in America.
Though not strictly a Vietnam War book, “Tribe: On Homecoming and Belonging,”by Sebastian Junger, examines the plight of returning combat veterans by likening the military to tribal societies where individuals share loyalty, a common purpose and depend on one another for survival. Junger argues that post traumatic stress may stem partly from the loss of community veterans face as they try to adjust to civilian life. When a 22-year-old Army sergeant, who has made life-and-death decisions as leader of a four man-squad in combat, comes home to be surrounded by people who know nothing of his experience the loneliness sets in and becomes overwhelming.
Published in January of 2017, “Escape from Saigon - a Novel”by Michael Morris and Dick Pirozzolo looks at how the Vietnam War shaped contemporary American attitudes in a fast-paced fictional account that compresses the action into the final 30 days of that three-decades-long conflict and put the endgame in context through flashbacks, old news accounts and barroom ramblings about political decisions made in the 1950s that set the stage for war.
The novel recounts the events of April 1975 through the lives of ordinary people most affected by the fighting and political bungling of the powerful they encounter. In addition to Vietnamese and American civilians there are journalists, French expatriates, US Embassy staffers and CIA operatives, all seeking escape by any means possible as the North Vietnamese Army tightens its stranglehold on Saigon—a city once known as the Paris of the Orient. Indeed, the final scenes of “Escape” recount the courage of hordes of Vietnamese refugees and the aviators and sailors who helped them in the biggest air-sea rescue in history, and an America that welcomed them with open arms.
The story is as much about the war as it is about the evolution of media, with much of the plot being about the journalists who covered what was dubbed America’s first television war.Correspondents back then devoted their youth to covering Vietnam, often for a decade or more and shaped public opinion through vivid, nearly simultaneous TV pictures of battles and newspaper exposés on the Pentagon Papers and My Lai Massacre. “Escape’s” Lisette Vo, NBS-TV’s first Vietnamese-American war correspondent, foreshadows the rise of women in journalism and the advent of 24/7 cable news, while the hard hitting Sam Esposito of The Washington Legend rips into three presidents—especially Dick Nixon—with investigative reports that changed the course of history.
Access to news and information was fairly limited in 1975. There were only three networks. Their anchors were trusted, larger-than-life figures Americans invited into their living rooms. The evening news was appointment TV and we all watched and read essentially the same news—a far cry from today’s media environment with fragmented cable TV audiences and fake Internet news outlets. The technology has improved, but with it Americans lost its sense of community.
In addition to the several books on the Vietnam War, Miss Saigon will be reprised at The Broadway in March and simulcast to local movie theaters in HD to reach a large nationwide audience. Lana Noone’s new play, “Children of the April Rain” about Operation Babylift, the ill-fated evacuation of mixed heritage children during the last days of the Vietnam War is opening around the country. Rory Kennedy’s film "Last Days in Vietnam" and Ken Burns latest PBS-TV documentary "The Vietnam War"add to the contemporary offerings on the subject.
“Escape from Saigon - a Novel” by Michael Morris and Dick Pirozzolo was published in January of 2017 by Skyhorse Publishing, New York, NY, 264 pages and lists at $24.95. Further information and an excerpt are available at: www.escsapefromsaigon.com
BoomerCafe just published an excerpt from "Escape from Saigon - a Novel" by Michael Morris and Dick Pirozzolo.
The novel takes place during the last 30 days of a war that divided a nation and defined a generation. Of the many things that shaped our baby boomer generation, the war in Vietnam is principal. Which makes it worth some reflection, which is what Dick Pirozzolo of Wellesley, Massachusetts, and Michael Morris of Savannah, Georgia, have done in the new novel they have co-authored.
It is “Escape from Saigon,” the story of April, 1975, the final month of the war. They tell their story through the lives of those caught in the besieged city.
In this BoomerCafe excerpt we meet Lisette Vo an American television network’s first Vietnamese-American correspondent. Lisette has entered the war correspondents' unofficial headquarters—L'Petit Bistrot—after covering an Operation Babylift plane crash that killed 78 orphans when she meets Sam Esposito, the hard-hitting reporter from The Washington Legend.
“You look like crap,” Sam exclaimed the minute he turned toward Lisette, who had taken the bar stool next to him...Continue Reading
Dick Pirozzolo has lived in Wellesley for 40 years, but Vietnam has never been far from his thoughts. Awarded the Bronze Star for his service as an Air Force media relations officer in Saigon in 1970-71, Pirozzolo went on to work years later on U.S.-Vietnam reconciliation, including through extensive writing.
Now Pirozzolo and collaborator Michael Morris—who is a decorated U.S. Army veteran who was awarded the Purple Heart and wound up studying and practicing journalism—have applied their unique perspectives on Vietnam into co-authoring Escape from Saigon: A Novelpublished in January 2017 by Skyhorse Publishing New York.Pirozzolo, who runs a PR firm bearing his name, is getting the word out about the book’s release by answering, which begin with something of a humblebrag by me about my sophisticated reading habits…
I just finished reading The Sympathizer, which is about the Vietnam War and won the 2016 Pulitzer Prize for Fiction. I’m going to guess you’re familiar with it and have probably read it, given your great interest in Vietnam. If so, what did you think of that book? And for others who have recently read The Sympathizer, what about your book might compel them to dive into another novel about Vietnam?
I’m partway through The Sympathizer. I did not want to read it while we were editing Escape from Saigon: A Novel. The Sympathizer takes place during the same relative time period and some of the watershed events are covered in both The Sympathizerand Escape from Saigon. Certainly the perspective of a Vietnam refugee who made his way to the States as a child is very different from a couple of Vietnam veterans in our book. I love all the plot twists and inner conflict over allegiances in The Sympathizer. In the long run though, I see The Sympathizer as an allegory for the emergence of a new American tribalism and negative attitudes that seem to be growing toward refugees, in short fear of “the other.”
Escape from Saigon resonates on several levels. It’s a fast-paced story of fear, desperation, courage and love amidst failed politics that hews closely to the historical record. It’s also a story about people—both ordinary and powerful—trapped in a besieged city over a 30-day period — from April 1 “all fools day” to April 30 when the North Vietnamese Army tanks burst through the gates of the Presidential Palace, ending the decades long conflict both in deed and symbolically.
Escape is as much about the war as it is about reporting on the war and a reminder of how much communication has advanced in the four decades. Through two of our characters — Lisette Vo, North American Broadcast System—NBS-TV’s—first Vietnamese-American war correspondent, and Sam Esposito, the hard-hitting journalist with The Washington Legend who infuriates President Nixon—we learn how grindingly cumbersome it was to deliver the news to the American public 40 years ago. Vietnam was America’s first television war, and there were only three networks, whose anchors were trusted, larger-than-life people whom we invited into our living rooms.
There’s certainly a great appetite among sectors of the American public for books/movies/TV shows about war, including WW I & WW II, as well as more recent wars and conflicts. What’s your sense of how great that interest is for material about the Vietnam war, and how have you seen that change?
There is a resurgence of interest in Vietnam. The hit musical Miss Saigon is returning to Broadway in March at the very theater where it opened in the US over two decades ago. Ken Burns has produced a new documentary series on Vietnam that will air on PBS-TV this fall. People seem to have an insatiable appetite for Vietnam War history now. I don’t know what to credit this to, perhaps enough time has passed for Americans to take a fresh look at our involvement in overseas conflicts and to try to learn some lessons from foreign entanglements that lack specific purpose.
Authors Dick Pirozzolo and Michael Morris, flank Tuan Nguyen CEO of Boston Global Forum as they present "Escape from Saigon" to him. Boston Global Forum helped fund research for the novel.
I’m a member of the editorial board of Boston Global Forum, founded by Gov. Michael Dukakis and Tuan Nguyen, a Vietnamese native who is credited with bringing a free and open Internet to today’s Vietnam. Much of the discussions and a number of position papers produced by this think tank focus on peaceful solutions to tensions in the South China Sea and a resolution to the conflict between China and Vietnam. No small point…Vietnam has become our ally in the Pacific, contributing to America’s ability to project influence and US Naval power in the region.
Is there an active Vietnam War veteran-specific community in the area?
The VFW has become welcoming and supportive of Vietnam Veterans over the years and attitudes toward Vietnam vets, indeed all vets, has become more positive. No one ever said, “Thank you for your service” back in the ‘70s.
When did you first start thinking about writing this novel and how long did it actually take to write? Can you discuss your writing process a bit?
It was evolutionary. Michael Morris and I had produced nonfiction books together on traditional American homebuilding.
We first met while working on an editorial project for Field & Stream, we both were experts on homebuilding and the homebuilding industry. We were also Vietnam vets so our conversation turned to our experiences in Vietnam and we often talked of doing “something” on the Vietnam War. We considered film, a definitive history of the war, and at some point—I don’t recall a eureka moment—we came up with a historical novel, and to make it manageable we decided to focus on the tumultuous 30 days of April 1975. Skyhorse Publishing, in New York, liked the concept, signed a contract, gave us an advance and we were off and running.
As far as writing in tandem—the episodic nature of the novel make it work. The rest was a matter of bringing our unique perspective and knowledge to the work—Mike served in combat in the field, I worked in Saigon as a press officer.
Note: Dick Pirozzolo will be speaking at R.J. Julia Booksellers, Madison, Connecticut at 7 PM, March 14. Dick Pirozzolo and Michael Morris will be speaking at Boston Global Forum, Harvard University Faculty Club at 1 PM, April 25 (BGF is open to press and the academic community) for details and to RSVP email: [email protected]
they have co-authored.
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